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鬼鄉(xiāng)
9.0 |2025年09月06日 |已完結(jié) |共1集
簡介:
故事發(fā)生在1943年,日軍的屢屢侵犯打破了朝鮮國民的寧靜生活,一時間硝煙四起,百姓們失去了賴以生存的家園,過著流離失所的悲苦生活。居昌郡的一個小小村落里,生活著名為正敏(姜荷娜 飾)的十四歲少女,正敏出生在一個平凡但恩愛的家庭中,從小到大都沐浴在父母慈祥的關(guān)愛之下?! ?zhàn)爭的到來結(jié)束了正敏無憂無慮的生活,某日,日軍占領(lǐng)了村莊,不由分說的將正敏掠走送上了開往日本的火車,和她同行的,都是一些和正敏差不多歲數(shù)的少女,每個人心中都惴惴不安,不知會有怎樣的命運(yùn)等待著她們。正敏和其他少女們淪為了日軍發(fā)泄獸欲的對象,過著暗無天日的悲慘生活,然而正敏內(nèi)心里有一個無比堅定的希望,那就是活下來,重返故鄉(xiāng)。
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更新時間:2025年09月02日
主演:未知
簡介:一個風(fēng)雨交加的夜晚,布蘭德爾太太維拉回到開診所的家中,發(fā)現(xiàn)丈夫布蘭德爾醫(yī)生被人麻醉在診所的手術(shù)臺上,并被切掉了鼻尖。第二天上午,布蘭德爾太太到警察局找老同學(xué)索菲·弗萊明尋求幫助。索菲正在練習(xí)柔道,聽說老同學(xué)來了馬上趕來見她。起初索菲甚至認(rèn)不出來老朋友了,歲月的滄桑已經(jīng)徹底改變了維拉的容顏。就在妻子為丈夫奔走時,丈夫卻在診所里與護(hù)士鬼混??丛谂笥训拿孀由?,索菲答應(yīng)與維拉的丈夫布蘭德爾醫(yī)生談?wù)劊遣继m德爾似乎很郁悶,不愿意交流,也不愿意與警察配合。索菲花費(fèi)了許多時間,事情卻毫無進(jìn)展。就在索菲與助手離開時,發(fā)現(xiàn)布蘭德爾的搭檔斯戴格曼醫(yī)生正與護(hù)士爭吵著什么。當(dāng)晚,護(hù)士在診所里被人殺害。索菲和她的助手塞勃斯丁正式接手此案,開始深入調(diào)查布蘭德爾的整形外科診所。他們發(fā)現(xiàn)這里并非常人所想象的那樣。布蘭德爾和他的搭檔斯戴格曼醫(yī)生都似乎想隱藏什么。索菲心生一計,利用她和維拉是老同學(xué)的關(guān)系,找到維拉,與她拉家常,回憶過去,喚起維拉的興致。兩人又在索菲家徹夜狂歡,使維拉完全信任了老同學(xué)。通過維拉的述說,偵探們慢慢地了解了一些情況,為破案提供了極大的幫助。索菲又來到斯戴格曼以前工作的醫(yī)院,從護(hù)士口中了解到一些情況。塞勃斯丁也同時出擊,四處尋找與布蘭德爾和整形診所有關(guān)的線索。又一個夜晚,兇手再度動手。他擊倒布蘭德爾,刺傷他的大腿,正準(zhǔn)備割下他的耳朵,一直在暗中跟蹤的索菲等人突然沖出來。歹徒逃進(jìn)樹林,警察追了一陣沒有追到。就在索菲拿著手電四處尋找時,歹徒駕車朝她沖來。索菲閃身躲過,歹徒駕車逃走。此時,警察們已經(jīng)深信這一系列案件都是艾斯霍夫所為。他們當(dāng)即來到艾斯霍夫的家。同一敲門,屋內(nèi)的燈馬上熄滅。他們砸開窗戶闖了進(jìn)去,發(fā)現(xiàn)屋內(nèi)已經(jīng)空無一人。正當(dāng)他們在地下室搜索時,有人躲在暗處朝他們開槍,并持刀挾持了索菲。關(guān)鍵時刻,另一名警察從側(cè)面迂回,一槍擊斃了艾斯霍夫??墒?,索菲從艾斯霍夫夫人的口中得知,殺死護(hù)士的兇手并非艾斯霍夫。于是警察們展開了更加深入的調(diào)查。眾多證人提供了有關(guān)的情況,索菲也與維拉進(jìn)行了一次長談。索菲接到一個電話。正在索菲通話時,兇手舉著刀來到她的身邊……
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2001
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主演:
芳心封鎖
612
4.0
已完結(jié)
芳心封鎖
4.0
更新時間:2025年09月06日
主演:Gila Almagor
簡介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
1344
1969
芳心封鎖
主演:Gila Almagor
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