這是史上最大的藝術(shù)品盜竊案：在 1990 年圣帕特里克節(jié)的周末，倫勃朗、維米爾等大師的畫作在波士頓的伊莎貝拉嘉納藝術(shù)博物館被盜，損失超過 5 億美元。這一案件至今未破，而這部科林·巴尼克爾執(zhí)導的四集紀錄片展示了調(diào)查中掌握的線索、遇到的僵局、取得的突破以及相關(guān)推測。

　　“老鼠、地圖和美國城市的死亡”、“老鼠電影”是一部長篇紀錄片，它利用老鼠探索巴爾的摩不同的歷史、社會學和哲學線索。無論是通過墻壁還是籬笆，老鼠不僅暴露了我們的分離界限，而且使它們成為家園。

　　Luciana’s office is a place of miracles. This is where strangers confide in her, share their most profound desires and concerns. And Luciana? She circles her huge magnifying glass over the pages of old books to soon find the perfect coordinates for a spiritual new beginning. In his new film, Peter Kerekes becomes nothing less than a witness to psychomagical acts. The Neapolitan astrologer is not only able to calculate the perfect birthday spot for those who seek advice – in her blunt way, she aims right at the centre of personal dramas. A pair of identical twins, for example, argue whether one of the sisters should fulfil the other’s longing for a child, while an unhappy mother yearns to rekindle her relationship.
　　Luciana sends the twins to Beirut, the mother to Alaska. Kerekes accompanies them on their journeys of salvation, even if Alaska turns into an air conditioner and a few buckets of ice cubes for reasons of practicality. He always brings out the comic potential of a story while pointing out complicated conflicts with astonishing poignancy: possessive mother figures and absent fathers, loneliness in a relationship and the fear of change. “Wishing on a Star” is a charming consultation that boldly confronts the big questions in life.

魯磨路，武漢市區(qū)一條熱鬧的大街。人行道上一個舊電話亭和簡陋的水果攤是河南農(nóng)民王天成一家的謀生之所。十四年來，他們與城管之間你進我退、軟磨硬抗，成為名副其實的“地攤王”，也算在城市里落了腳。王天成是70歲的腦中風患者，妻子癌癥晚期，兒子是沒有右手的殘疾人，他們唯一的開心果是正讀初中 的孫女萍萍，健康開朗。 “一家人留在城里，萍萍成為武漢人”是全家人的夢想，日子過得艱難而平實。直到有一天，魯磨路按照城市發(fā)展規(guī)劃打造“珠寶一條街”，需要徹底清理所有沿街攤販，王天成一家和城管中隊的矛盾開始升級，一場“生存保衛(wèi)戰(zhàn)“就此展開…… 嚴格執(zhí)法的城管碾壓占道小販？還是，最?！暗財偼酢贬斃纬鞘兄行模?城管與小販生死爭斗的原生態(tài)故事，官民沖突與互動的真實過程。 關(guān)照當下中國人蓬勃生長的“城市夢” ，你、我、他都可能是“王天成”。