簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

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當(dāng)他的女友頭部遭受重傷，而他的競爭對手龍蝦家族又破壞了他的漁具時，這位年輕的龍蝦漁民被迫在正確與錯誤之間做出選擇。

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　　黛西（朱莉婭·羅伯茨 Julia Roberts 飾）一直希望能夠通過婚姻來改變自己生活的境遇，哪知道金龜婿不是那么好釣的，在夢想成真之前，她必須學(xué)會躲避種種陷阱。凱特（安娜貝絲·吉什 Annabeth Gish 飾）過著自食其力的生活，為了賺錢做著臨時保姆的兼職，哪知道竟然在誤打誤撞之中愛上了男主人。嬌嬌（莉莉·泰勒 Lili Taylor 飾）想要充分享受戀愛里的甜蜜和幸福，卻不愿意承擔(dān)婚姻所帶來的重負(fù)和責(zé)任，這讓嬌嬌的男友十分苦惱，他一心想要和嬌嬌攜手步入婚姻的殿堂。
　　這三個性格迥異的女孩聚集在神奇披薩屋內(nèi)，成為了那里的女服務(wù)生。在探索人生道路的途中她們互相作伴，互相開解，并且最終都尋找到了生命中真正重要的東西。

簡介：A CIA agent who, while on assignment in Russia shortly before the fall of the Soviet Union, is captured by KGB forces and placed in a mental hospital. Eleven years later, Carville is given a chance to earn his freedom.

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　　西班牙電影大師路易斯·布努埃爾墨西哥時期的杰作，可看做是《黃金時代》等實驗性較強的表現(xiàn)主義作品之后的有力回歸。一部不可錯過的天才喜劇！

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　　這對世上最要命的混搭-——保鏢邁克爾·布萊斯和殺手大流士·金凱，再次執(zhí)行一項要命任務(wù)。
　　大流士反復(fù)無常更勝以往的妻子——臭名昭著的國際詐騙家索尼婭·金凱迫使布萊斯出山。
　　布萊斯被這倆最危險的保護對象逼得走投無路，三人在一個全球級的陰謀中陷入困境，很快還發(fā)現(xiàn)他們是一個大瘋子復(fù)仇歐洲的唯一障礙。
　　摩根·弗里曼也加入了這場有趣而又致命的亂局，他飾演的是——嗯，不得不看。

簡介：海員余大地帶著女兒，被逼與黃梅同屋，一人均脾氣古怪，但卻漸萌愛意，惜余不忘航海生涯，把女兒交托黃梅，還暗示愛意。不料，當(dāng)黃梅接到大地回港之信，又傳來貨輪沉沒，誤會他已葬身海中……

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　　盧克（Brock Pierce 飾）有幸出生在“第一家庭”之中，但是，這樣的特殊境遇卻并沒能給他帶來快樂和榮耀，正相反，太多的規(guī)矩和太少的玩樂時間讓盧克這個生性活潑好動的男孩感到無比的痛苦。心中的抑郁無處發(fā)泄，盧克只好想著各種法子刁難離他最近的各類特勤人員，面對如此刁蠻的公子，大家亦是有苦說不出。
　　西斯（辛巴達 Sinbad 飾）一直以來都希望能夠成為保護總統(tǒng)的左膀右臂，但這樣的他卻被派到了無人肯管的盧克身邊成為了他的保鏢。這些可好，身邊多出來的這個“新玩具”讓調(diào)皮的盧克躍躍欲試，但可別忘了，西斯曾經(jīng)是一名出色的拳擊運動員，想要戲弄強壯又聰明的西斯，盧克還是嫩了一點。

簡介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

簡介：　　After a life of little scams, a self-centered millennial is sentenced to take care of his grandmother, who is affected by Alzheimer's. As he realizes the extent of her wealth, the protagonist gets closer to the treasure he's been looking for.

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這部電影發(fā)生在圖盧茲，講述了 55 歲的警察讓發(fā)現(xiàn)他的兒子馬克西姆和他兒子的男朋友被絞死在酒店房間里的故事。 尸檢顯示他死于過量的 GHB，就在他的男朋友之后七分鐘。 在馬克西姆的朋友組織的一個晚上，讓發(fā)現(xiàn)了他兒子過去常去的俱樂部 BISOU。 在那里，他遇到了法比恩。 為了進一步了解所發(fā)生的事情，Jean 多次去了俱樂部，很快就受到了 Bisouers 的歡迎。 法比恩對他產(chǎn)生了依戀，讓開始將他的哀悼與探索兒子世界的愿望混為一談。

簡介：沒有戰(zhàn)爭，沒有和平，只有風(fēng)自故吹著。在上帝遺忘的島嶼，太陽依然每天升起。一個尋愛的女人，一個因誤殺了人而從此背著重?fù)?dān)的士兵，一段關(guān)于寂寞的愛情故事……