簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：波克Box（陳海亮飾）的公司蝙蝠科技出現(xiàn)了始料未及的技術(shù)危機(jī)，他請(qǐng)來(lái)了前下屬葉行嘉（雷鵬宇飾）及其團(tuán)隊(duì)解決了危機(jī)，隨后波克提出了高薪收編團(tuán)隊(duì)及其技術(shù)“伏羲”的要求，而葉行嘉的執(zhí)念在于將一直沉睡的“伏羲”喚醒，所以拒絕了波克的請(qǐng)求。　　隨后，葉行嘉創(chuàng)業(yè)團(tuán)隊(duì)的二當(dāng)家杰西（祁漢）卻擅自向波克介紹團(tuán)隊(duì)和技術(shù)，達(dá)成了并購(gòu)意愿。與葉行嘉青梅竹馬的投資人凱西Cathy（姜佩瑤飾）一直在暗中幫助葉行嘉擺脫波克幽靈般的糾纏，可是波克還是挖走了葉行嘉的團(tuán)隊(duì)。對(duì)葉行嘉來(lái)說(shuō)，“伏羲”是他的全部，而今他已經(jīng)一無(wú)所有，墜入人生低谷?！　v經(jīng)種種情感的糾結(jié)，葉行嘉終于找到了喚醒伏羲的鑰匙……

簡(jiǎn)介：一場(chǎng)家庭的悲劇最終傷害的還是子女。憨直的新界雞場(chǎng)主人馬牛羊與獨(dú)女妹頭相依為命。妹頭的生母羅安妮用盡辦法想奪回妹頭的撫養(yǎng)權(quán)……

簡(jiǎn)介：Follows Ako, a 16 year old Japanese girl, as she spends time working in a bakery and going out with her friends.

簡(jiǎn)介：Appraiser Rachel (Lindsey Shaw) receives the news that her top-notched client wants to buyout a small town's beloved library to build a resort and spa on the land. Rachel is completely against the idea of leaving NYC but loses the argument to her boss. So Rachel packs her bags and flies out to California. During her first visit to the library she runs into writer, Jake (Derek Theler), who is researching the tale of Captain Black Bart's hidden treasures for his next novel. With hopes of saving the library, Mrs. Archer (Rachel Ticotin), the librarian, pushes Jake to show Rachel what the library means to the town. Jake's already got a lot on his plate with his research and taking care of his niece, Hailey (Chiara Aurelia), and nephew, Noah (Max Page), for the summer but he agrees to help out. As Rachel learns what the library means to the community she must find away to save it before it's too late.

簡(jiǎn)介：工作狂邁克（本·斯蒂勒 Ben Stiller 飾）的父母意外身亡后，他不得不前往俄亥俄州的老家暫時(shí)照顧四個(gè)淘氣的侄子，一開始說(shuō)好只需照顧他們?nèi)欤涣蠀s開啟了為期幾周的混亂農(nóng)場(chǎng)生活，而邁克也逐漸意識(shí)到，他不需要再為孩子們尋找新家了。

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本片是山中貞雄的遺作，也是他的“時(shí)代劇的庶民電影”的代表作之一。他在片中吸取了美國(guó)電影和法國(guó)電影的影響，並受到摯友兼老師小津安二郎的“小庶民電影 ”美學(xué)影響，將歷史上江戶時(shí)代的小人物形像注入現(xiàn)代庶民的語(yǔ)言、性格、行止、靈魂，成就了一部難得的社會(huì)現(xiàn)實(shí)主義的佳作。故事發(fā)生於十八世紀(jì)德川幕府時(shí)代，以悲涼調(diào)子訴說(shuō)德川幕府時(shí)期低下層的生活，開頭與結(jié)尾都是自殺場(chǎng)景，映照出舊時(shí)日本社會(huì)草根階層的悲哀。另外，山中的剪輯流暢自如，視覺(jué)風(fēng)格鋒如日本繪畫，演員表演也很自然。此片公認(rèn)為山中最好的作品，也是他僅存的三部電影之一。 　　Humanity and Paper Balloons,unlike most other Japanese films of this period,is a historical film with a critical edge.Refusin...