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造物的奇跡
5.0 |昨天23:07 |HD中字
簡(jiǎn)介:

  Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
  In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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簡(jiǎn)介:

  以技能博弈強(qiáng)弱決定成員等級(jí)的百花王聚集了許許多多的財(cái)政界大腕的親人。在這里一切都具有規(guī)則,每一個(gè)人都要去博弈,而失敗的成員只會(huì)一層一層落入到最底層,而這樣的規(guī)則則是由百花王的小團(tuán)體把控著。面對(duì)嚴(yán)峻而又冷酷的形式,百花王的每個(gè)人都竭盡全力進(jìn)行博弈。但終究還是有不少人淪為了底層成員。就這樣,百花王里突然涌現(xiàn)了一個(gè)反博弈組織,他們拒絕小團(tuán)體的博弈方式。雙方劍拔弩張的關(guān)系隨著一次博弈一觸即發(fā)。為首的村雨天音找到了百花王最厲害的夢(mèng)子進(jìn)行決戰(zhàn)。卻不想反博弈組織中存在著一名叛徒,她將消息都傳遞出去銀村雨天音入局。隨著對(duì)戰(zhàn)越來(lái)越精彩,夢(mèng)子率先點(diǎn)破叛徒身份,卻不成想原來(lái)村雨天音在就知道這一切,也識(shí)破了一個(gè)一個(gè)詭計(jì),最終取得勝利。

0
2019
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主演:濱邊美波,高杉真宙,森川葵,矢本悠馬,松田流花,岡本夏美,柳美稀,中村百合香,三戶(hù)夏芽,松村沙友理,池田依來(lái)沙,宮澤冰魚(yú),福原遙,伊藤萬(wàn)理華,小野寺晃良
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7.1
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主演:馬可·賈利尼,朱莉亞·貝維拉夸,菲利波·蒂米,賽爾喬·魯比尼,丹尼絲·坦圖奇,Antonio Bannò,朱塞佩·巴蒂斯通,安德里亞·薩托雷蒂,Liliana Bottone,馬西莫·德·洛倫佐,阿基里·布魯尼尼,Duccio Camerini,Ottaviano Dell'Acqua,Anna Malvica,Cristiano Piacenti,埃馬努埃萊·薩爾切,Francesco Frangipane,Salvatore Langella,Urbano Lione,Maurizi
簡(jiǎn)介:

  一位吝嗇的羅馬富商想方設(shè)法從教皇那兒獲得貴族頭銜,三個(gè)鬼魂登門(mén)造訪(fǎng),帶他看清過(guò)去、現(xiàn)在與未來(lái),讓他領(lǐng)悟了人生的真諦。本片將英國(guó)文豪狄更斯的經(jīng)典小說(shuō)《圣誕頌歌》的故事背景轉(zhuǎn)移到了19世紀(jì)的羅馬,聚焦一個(gè)新興資本家的傳奇一生,去除了原著的圣誕節(jié)背景與極強(qiáng)的道德教化意義,將之與彼時(shí)教權(quán)衰微、資產(chǎn)階級(jí)革命興起的意大利社會(huì)現(xiàn)實(shí)緊密聯(lián)系在一起。服化道真實(shí)還原了時(shí)代,復(fù)古氣息濃厚,而兇殺等懸疑元素的加入更是讓影片可看性十足。

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2022
羅馬王子
主演:馬可·賈利尼,朱莉亞·貝維拉夸,菲利波·蒂米,賽爾喬·魯比尼,丹尼絲·坦圖奇,Antonio Bannò,朱塞佩·巴蒂斯通,安德里亞·薩托雷蒂,Liliana Bottone,馬西莫·德·洛倫佐,阿基里·布魯尼尼,Duccio Camerini,Ottaviano Dell'Acqua,Anna Malvica,Cristiano Piacenti,埃馬努埃萊·薩爾切,Francesco Frangipane,Salvatore Langella,Urbano Lione,Maurizi
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