簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：本片講述身為大學(xué)生的男女主人公在一次聚會(huì)中偶然相遇，在酒精麻醉下一夜溫情后，男女主人公如何直面人生，一集各自有關(guān)成長(zhǎng)，如何面對(duì)雙方父母，如何規(guī)劃自己人生的思考和斗爭(zhēng)，上演了一幕又一幕感人的愛(ài)情畫(huà)面。

簡(jiǎn)介：長(zhǎng)久以來(lái)，攝影師恩喬（樸載正 飾）都被一個(gè)奇妙的夢(mèng)境所困擾，在夢(mèng)里，他身處風(fēng)景如畫(huà)的仙境之中，有一個(gè)姿態(tài)妖嬈的神秘女子陪伴在身邊。一日，由于工作原因，恩喬來(lái)到了安東市，剛剛到達(dá)，恩喬便被眼前似曾相識(shí)的美景所震撼了。在安東，恩喬疲憊的身心得到了修養(yǎng)，同時(shí)，他也遇見(jiàn)了一一名叫姻雨（尹素怡 飾）女子?！　∽尪鲉谈械嚼Щ蟮氖?，姻雨有著和他夢(mèng)境中的女子非常相似的外表，一切似乎都在預(yù)示著什么。對(duì)于姻雨而言，恩喬的到來(lái)讓她的人生有了新的期盼。原來(lái)，姻雨和恩喬是舊相識(shí)，早在大學(xué)時(shí)代，兩人加入了同一個(gè)社團(tuán)，可是當(dāng)時(shí)的恩喬并沒(méi)有注意到害羞又安靜的姻雨。一場(chǎng)異鄉(xiāng)的重逢，一個(gè)夢(mèng)境的重疊，兩個(gè)年輕人之間會(huì)產(chǎn)生怎樣的美好感情呢？

簡(jiǎn)介：講述一段荷爾蒙失調(diào)的性轉(zhuǎn)愛(ài)情故事：主人公珍的人生衰運(yùn)連連，離婚爭(zhēng)奪撫養(yǎng)權(quán)失敗，工作上被人調(diào)侃消遣。在她人生急轉(zhuǎn)直下之際，某日睡覺(jué)醒來(lái)發(fā)現(xiàn)自己多了個(gè)不該存在的器官…

簡(jiǎn)介：

菲奈斯本人最喜歡的電影《雅各布教士歷險(xiǎn)記》則是他名至實(shí)歸的代表作，使菲奈斯的演藝生涯達(dá)到了個(gè)高潮，上座率高達(dá)到7百萬(wàn)。據(jù)說(shuō)烏里在拍攝時(shí)經(jīng)常因?yàn)樾Φ锰珔柡Γ率箶z影機(jī)劇烈抖動(dòng)不得不重拍。影片講述菲奈斯的女兒即將嫁給將軍的兒子，他無(wú)意間卷入了一場(chǎng)“政治陰謀”，同時(shí)一個(gè)著名的猶太教士來(lái)法國(guó)參加宗教活動(dòng)，結(jié)果從機(jī)場(chǎng)開(kāi)始，警察、恐怖份子、年輕的總統(tǒng)、知名教士和菲奈斯女兒的婚禮就攪在了一起，該劇劇情緊湊，線索復(fù)雜，笑料百出，人物眾多且性格鮮明，不僅有許多的菲奈斯的拿手好戲，還緊扣當(dāng)時(shí)法國(guó)社會(huì)重要的宗教分歧和種族主義，給以往菲奈斯夸張喜劇注入了浪漫的溫馨。至今劇中在口香糖加工廠那段戲仍然是許多喜劇效仿的經(jīng)典橋段。

簡(jiǎn)介：主角（Thora Birch）遵循 quot;PIG理論 quot;，在六個(gè)月后結(jié)束關(guān)系，以避免心痛，直到她遇到一個(gè)想反駁她理論的男人（克里斯·克萊因）

簡(jiǎn)介：

自視甚高的記者余美仁（謝楠飾）是電視臺(tái)里炙手可熱的晉升人選，為了擊敗對(duì)手，她不惜挑戰(zhàn)無(wú)人勝任的采訪任務(wù)——前往南方的偏僻小城，去揭露一個(gè)有機(jī)農(nóng)場(chǎng)的重大秘密。不料，余美仁在那里不僅遇到了“豬隊(duì)友”——脫線少年小達(dá)（馬昂飾）和中二少女莫莫（丁一一飾），更發(fā)現(xiàn)低調(diào)隨性的農(nóng)場(chǎng)主竟是自己的“克星”——小學(xué)同學(xué)李十全（方力申飾）。小時(shí)候只要兩人相距50米以內(nèi)，她就會(huì)出糗倒霉。然而為了事業(yè)，余美仁不得不和“克星”擦出亦敵亦友的火花，在保持50米距離的同時(shí)，一段陰差陽(yáng)錯(cuò)又爆笑感人的愛(ài)情正在這個(gè)浪漫的小城悄然綻放。

簡(jiǎn)介：1960年捷克卡羅維發(fā)利國(guó)際電影節(jié)最佳導(dǎo)演水晶球獎(jiǎng)?！　riginally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.　　From All Movie Guide Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed SeryozhaA Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K PrichaluThe Way to the Wharf (1962). His 1969 comedy Ne Goryuy!Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po MoskveI Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).

簡(jiǎn)介：查理·普拉默、小凱文·哈里森([泥土之界])、雅各布·拉提摩爾加盟全新影片[隘谷](Gully，暫譯)，納比勒·埃爾德金執(zhí)導(dǎo)該片,馬庫(kù)斯·蓋爾利編劇。故事發(fā)生在一個(gè)反烏托邦式的世界，三個(gè)童年不快的年輕人心懷不滿，他們?cè)噲D尋找一種全新的生活方式，然而一場(chǎng)享樂(lè)主義的騷動(dòng)即將上演。

簡(jiǎn)介：

這么多年來(lái)，一直有一件事情讓崔向久（鄭在泳 飾）久久無(wú)法釋?xiě)?。那?7年前，社會(huì)上發(fā)生了一件影響極其惡劣的女子連環(huán)兇殺案，而崔向久則是負(fù)責(zé)此案的警探。狡猾的兇手巧妙的躲過(guò)了正義的天羅地網(wǎng)，當(dāng)15年訴訟有效期到來(lái)的那一天，當(dāng)兇手徹底的逃脫了法律制裁的那一天，受害者的家屬以死發(fā)出了對(duì)無(wú)能警察以及殘暴兇手的控訴。 　　正當(dāng)大家以為慘劇帶來(lái)的陰影即將消散之時(shí)，一本名為《我是殺人犯》的書(shū)的出版讓所有的人都極為震驚，而書(shū)的作者不是別人，正是當(dāng)年兇殺案的始作俑者李斗錫（樸施厚 飾）?？墒牵鳛楫?dāng)年追捕兇手的警探，崔向久并不相信李斗錫就是當(dāng)年的罪犯，一場(chǎng)激烈的貓鼠之爭(zhēng)在兩人之間展開(kāi)。

簡(jiǎn)介：Andre, recovering from a recent accident, agrees to help his friend Robert by taking over a house sitting job at a creepy home nestled in the hills above Los Angeles. As night comes, the house reveals its insidious nature as Andre begins hearing ominous sounds and experiencing strange occurrences throughout the house that lead him to believe he is not alone, and that someone, or something is in the house with him.