簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：In a luxurious seaside villa, a modest young woman finds herself in the company of a strange family an unknown and wealthy father, his extravagant wife, his daughter, an ambitious woman, a rebellious teenager, and their creepy maid. Someone is lying. Between suspicions and lies, a mystery grows and the evil spreads.

簡介：法蘭克福市遭到熱浪襲擊，市內(nèi)工人紛紛罷工，堆積如山的垃圾引起鼠患問題，老鼠群在市內(nèi)無孔不入，更可怕的是它們身上帶有一種不知名的可致命病毒?？ㄌ镝t(yī)生（Anne Cathrin Buhtz 飾）急忙研制一種免疫疫苗以拯救市民。但災(zāi)難控制員弗蘭克（Ralph Herforth 飾）明白傳統(tǒng)的滅鼠方法并不可行，唯一解救方法只有獨闖鼠穴…...收起

簡介：剛從大學(xué)畢業(yè)的安德魯對自己的人生感到十分迷茫，他找不到前進(jìn)的方向，所以暫時賴在了新澤西的家中，在鎮(zhèn)上找了一份給酒吧和成人禮當(dāng)派對發(fā)起人的工作。在那里，他與一位年輕的媽媽和她十幾歲的女兒建立起了非常特別的友誼。

簡介：據(jù)悉，理查·基爾在片中飾演一名走投無路，住在難民收留中心的紐約男子，試著重建生活，并與疏離已久的女兒修復(fù)關(guān)系。

簡介：18歲的警察負(fù)責(zé)守衛(wèi)一個年輕女子的謀殺現(xiàn)場，一名35歲的女牧民被派去協(xié)助他。在寒冷荒涼的蒙古草原上，兩人發(fā)生了關(guān)系，女牧民懷了孩子……

簡介：本片講述了一群從事藝術(shù)的文藝青年的生存狀態(tài)。嘉男（趙燕國彰 飾）、姍姍（李郁 飾）與郭青（唐唐 飾）是大學(xué)同學(xué)，姍姍美艷如花，在學(xué)校時就不乏眾多追求者，嘉男也是其中的一位，而姍姍現(xiàn)任男友常博（冉然 飾）則是一個跑組的群眾演員。因在劇組跟導(dǎo)演發(fā)生爭執(zhí)，女友麗麗（張泳淇 飾）又棄他而去，一氣之下嘉男離家出走，住進(jìn)了常博家，不料碰上以前暗戀的姍姍。同是校友的郭青與姍姍是以相互利用的方式存在的，兩人有時相互攻擊，但過后又和好如初，最后這種關(guān)系以郭青與姍姍的又一任男友田松出國宣告結(jié)束。幾年過后，大家因拍紀(jì)錄片重新相聚在一起，不料卻早已經(jīng)物是人非......

簡介：

簡介：“一部下流、血腥的殺人狂電影”。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?　　該片由“毀童年恐怖電影”專業(yè)戶ITN出品，但故事不是設(shè)定在他們的恐怖片宇宙（Poohverse）中。

簡介：待業(yè)中的面包師杰若米返鄉(xiāng)，在參加他曾迷戀的恩師葬禮后，決定留宿師母家中多陪伴她幾日。他仿佛有種魔性魅力，讓全鎮(zhèn)居民都著迷不已，只有恩師兒子文森對他充滿敵意。一場口角后，文森意外死亡，為了掩蓋真相，杰若米開始編織一個個謊言；令人驚訝的是，整個小鎮(zhèn)從鄰居到神父，似乎都在幫他隱瞞真相。杰若米發(fā)現(xiàn)自己被困在一座由謊言筑起的迷宮中，無法脫身

簡介：一名牧師開始對自己信仰產(chǎn)生懷疑，但他卻不得不參與為一名少年驅(qū)魔，驅(qū)魔開始時他那個對信仰動搖的心與這場驅(qū)魔產(chǎn)生了一系列的連鎖反應(yīng)。

簡介：The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.　　The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator,　　the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.　　Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.