約翰·約翰·弗洛倫斯 (John John Florence) 將自己的職業(yè)生涯押注于與凱利·斯萊特 (Kelly Slater) 的角逐，以贏得 2020 年奧運(yùn)會(huì)沖浪項(xiàng)目的參賽資格。

該系列基于《紐約時(shí)報(bào)》的開(kāi)創(chuàng)性報(bào)道，講述了媒體大亨魯珀特·默多克及其家人對(duì)美國(guó)乃至整個(gè)西方社會(huì)留下令人不安的遺產(chǎn)。

英國(guó)電視節(jié)目主持人兼養(yǎng)豬戶吉米·多爾蒂 (Jimmy Doherty) 將在多科·吉米·多爾蒂 (doco Jimmy Doherty) 的《新西蘭逃亡》(NZ Escape) 中走上公路，探索新西蘭的美景，并探索真正的新西蘭精神。

　　For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.

探討比安卡·魯?shù)婪蛟诜侵掎鳙C之旅中神秘死亡的事件。被告是匹茲堡地區(qū)富有的牙醫(yī)拉里·魯?shù)婪颉?/p>

《骯臟的狗》是一部強(qiáng)有力的紀(jì)錄片，揭露了新奧爾良市與著名的 Lucky Dog 熱狗車(chē)之間數(shù)十年的腐敗。在街頭小販的懷舊形象之下，隱藏著一段令人不安的剝削和黑幕交易歷史，這部電影一絲不茍地揭露了這一切。該市與 Lucky Dog 勾結(jié)的證據(jù)確鑿，揭露了一個(gè)長(zhǎng)期凌駕于法律之上的制度，這對(duì)其工人造成了很大損害。這部紀(jì)錄片的核心是一位不知疲倦地為揭露這些不公正而奮斗的律師。他的旅程為這部電影增添了深刻的個(gè)人和情感維度，將其從單純的揭露變成了一個(gè)鼓舞人心的堅(jiān)持和希望的故事。他尋求正義的努力引起了強(qiáng)烈共鳴，為敘事帶來(lái)了真正的內(nèi)涵。雖然敘述者缺乏經(jīng)驗(yàn)有點(diǎn)分散了注意力，她的表演偶爾讓人感覺(jué)不合時(shí)宜，但這部電影的核心信息仍然清晰而引人注目。對(duì)于那些有興趣揭露企業(yè)腐敗背后的真相以及在極其困難的情況下為公平而戰(zhàn)的人來(lái)說(shuō)，《骯臟的狗》是一部必看的電影。

暫無(wú)簡(jiǎn)介

影片以 2022 年俄羅斯入侵烏克蘭為背景，講述了人們和他們的寵物的故事。

暫無(wú)簡(jiǎn)介

多蘿西為何要追尋那條黃磚路？電影制片人喬爾·吉爾伯特踏遍美國(guó)，探尋進(jìn)步主義彩虹的盡頭——烏托邦，還是更糟糕的未來(lái)？從底特律的廢墟到芝加哥南區(qū)的貧民窟，從丹佛的非法移民入侵到紐瓦克的城市拆遷計(jì)劃，吉爾伯特拉開(kāi)了這片土地的帷幕。他在探索中直面進(jìn)步主義者，帶領(lǐng)我們深入他們關(guān)于人間天堂的政治幻想?！稙跬邪顭o(wú)處可尋》以幽默又驚悚的方式探索了進(jìn)步主義、非法移民大赦、種族關(guān)系、美國(guó)的伊斯蘭教、政治正確性，以及承諾“重塑世界”的巴拉克·奧巴馬本人。但烏托邦真的會(huì)是美國(guó)的目的地嗎？又或者，通往幸福的真正道路，仍然是信仰、家庭和辛勤工作——在堪薩斯的家鄉(xiāng)？ 作者：制片

這齣十分個(gè)人化的紀(jì)錄片由執(zhí)行製作人查寧塔圖與導(dǎo)演黛博拉施蘭頓共同創(chuàng)作，呈現(xiàn)老兵與他們的軍犬，不管是在服役或回歸一般身份時(shí)的親密友誼。片中主要聚焦在軍中精英部隊(duì)裡的三隻勇犬(萊卡、米卡與派波)與它們所服務(wù)的士兵，強(qiáng)調(diào)這些軍犬在他們?nèi)祟?lèi)伙伴的生活中所扮演的重要角色，是一齣對(duì)人類(lèi)最好的朋友的致敬之作。