簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

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紀(jì)堯姆、他的繼妹夏洛特和菲利克斯經(jīng)歷了初戀的波折。繼《惡魔》之后，菲利普·勒薩熱攜第二部自傳體作品回歸。

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在意大利，充滿暴力和虐待的骯臟、擁擠、陳舊的監(jiān)獄已經(jīng)成為遙遠(yuǎn)的記憶?，F(xiàn)在，囚犯在深度睡眠狀態(tài)下服刑，這使他們不再具有攻擊性，并大大降低了再犯率。超級(jí)睡眠是一種高效、經(jīng)濟(jì)可行且可靠的系統(tǒng)。直到有一天，負(fù)責(zé)監(jiān)測(cè)囚犯精神狀態(tài)的心理學(xué)家大衛(wèi)·達(dá)米亞尼 (Stefano Accorsi) 發(fā)現(xiàn)自己面對(duì)的是一名囚犯，關(guān)于他的所有信息都已丟失。這是一個(gè)意外事件，引發(fā)了一系列不可預(yù)見(jiàn)的事件，迫使大衛(wèi)面對(duì)自己過(guò)去的幽靈。

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“野蠻三人組”是三個(gè)初入社會(huì)的年輕人，他們?cè)谝患矣?jì)算機(jī)分析公司工作。他們?nèi)齻€(gè)看起來(lái)都沉著冷靜，頭腦清醒，受過(guò)良好教育，對(duì)世界了如指掌。他們是最好的朋友，白天一起工作，晚上則一起狂歡作樂(lè)。奧維迪奧·馬納爾迪，由英俊的喬·達(dá)里桑德羅飾演，是他們狂歡作樂(lè)的主角。奧維德娶了一位美麗的妻子，但她從不在家——她是一位醫(yī)生，把事業(yè)置于婚姻之上。奧維德整天坐在電腦前，做著重復(fù)單調(diào)的計(jì)算，他不時(shí)地瞥見(jiàn)被關(guān)在他工作單位玻璃籠子里的白老鼠。他看著老鼠們瘋狂地互相踐踏，開(kāi)始思考自己內(nèi)心的困境。當(dāng)他和朋友們從狂歡作樂(lè)走向犯罪時(shí)，他對(duì)沒(méi)有愛(ài)情的婚姻和單調(diào)工作的沮喪最終演變成無(wú)法無(wú)天。范戈·博倫特（Fango Bollente），又名“野蠻三人組”和“熱泥巴”，講述了三個(gè)英俊的年輕人在羅馬市中心熙熙攘攘的街道上，用赤裸裸的暴力行為發(fā)泄內(nèi)心的沮喪。這部意大利電影對(duì)于所有喬·達(dá)倫桑德羅的粉絲來(lái)說(shuō)都是一場(chǎng)盛宴——他飾演的奧維迪奧自鳴得意、陰險(xiǎn)狡詐、殘忍無(wú)情，完全讓人不愛(ài)。

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1970年代末的哈瓦那，同志藝術(shù)家迭亞戈（Jorge Perugorría）在露天餐座偶遇大學(xué)生大衛(wèi)（Vladimir Cruz ），因被大衛(wèi)的氣質(zhì)吸引，他一屁股坐在大衛(wèi)的對(duì)面，要了一杯有Gay色之稱的粉色的草莓冰淇淋，開(kāi)始以略薩等人的禁書(shū)作餌“勾引”大衛(wèi)，大衛(wèi)雖被他“騙”到了家中，并迷上了他房間中的遍地“毒草”，可是沒(méi)迷上他的人。一來(lái)二往，兩人越走越近，可是任憑迭亞戈做再多暗示和努力，大衛(wèi)始終“裝傻”不多往前邁一步，友情沒(méi)能變作愛(ài)情，漸漸地，迭亞戈放棄了要將大衛(wèi)變成Gay的心思，兩人成了傳統(tǒng)意義上的志同道合者……

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影片改編自天佑所著的實(shí)體小說(shuō)《富豪俱樂(lè)部3：形形色色富二代》。講述了晶城富豪俱樂(lè)部是一個(gè)頂級(jí)商務(wù)人士的匯聚地，所有畢業(yè)生心之向往。正義敢言的少女宣萱拼盡全力，終于通過(guò)俱樂(lè)部經(jīng)理鄭逸群的面試，正式入職。她努力應(yīng)對(duì)鄭逸群的百般刁難，只為盡快見(jiàn)到兩家公司的老板。其實(shí)，她是一個(gè)雜志記者，曾報(bào)道過(guò)一篇關(guān)于兩家公司的交易黑幕，卻導(dǎo)致雜志社慘遭關(guān)門，她不甘心，這時(shí)所有證據(jù)指向富豪俱樂(lè)部，于是她決心挖出黑幕真相。她與鄭逸群斗智斗勇，卻不知道這一切都在鄭逸群的算計(jì)中，當(dāng)年讓雜志社關(guān)門的正是鄭逸群。宣萱想盡辦法接近真相，卻總是走偏，奇怪的是鄭逸群明知對(duì)自己不利，卻總給她引路。終于宣萱查到真相：原來(lái)自己被商業(yè)對(duì)手惡意利用，鄭逸群關(guān)掉雜志社也是為了保護(hù)她。原來(lái)，鄭逸群早在一年前就見(jiàn)過(guò)她，他在這個(gè)固執(zhí)小姑娘身上看到了曾經(jīng)的自己。他費(fèi)勁心思，希望宣萱通過(guò)自己的努力來(lái)成長(zhǎng)，授人以魚(yú)不如授人以漁，宣萱終于明白這個(gè)腹黑上司的愛(ài)很特別。

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無(wú)人的生活

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這部電影改編自《渴望生存》一書(shū)，講述了 Shonda Reynolds 醫(yī)生的勵(lì)志真實(shí)故事。Shonda Reynolds 是田納西州普拉斯基人，進(jìn)入戒毒所后克服了毒癮，在那里她獲得了精神上的覺(jué)醒，并接受了傳教的使命。這部真實(shí)的電影講述了一個(gè)通過(guò)寬恕、救贖和愛(ài)擺脫毒癮的人生，被上帝的力量改變的人生。

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音樂(lè)商店老板梅格帶領(lǐng)社區(qū)努力挽救她所在的圣誕樹(shù)巷購(gòu)物區(qū)，避免被拆除。當(dāng)她發(fā)現(xiàn)自己愛(ài)上了新認(rèn)識(shí)的內(nèi)特時(shí)，她震驚地發(fā)現(xiàn)他實(shí)際上是為梅格所反對(duì)的開(kāi)發(fā)商工作?！狧appy_Evil_Dude

簡(jiǎn)介：　　Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.