簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

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講述1970年代，想要重拍電影《蜘蛛網》結局的金導演（宋康昊 飾），遭到審查部門的干擾以及演員、制片人的反對，在如此混亂的情況下進行拍攝而發(fā)生的令人哭笑不得的故事。

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故事取材自當時的一則新聞報道，描寫人民解放軍某營在行軍休息時，一個剛剛參加革命的小鬼（馬德明）因擦槍不慎走火，打死了一個老農民（陳強）的小兒子。為了嚴肅革命紀律，部隊組織決定讓小鬼償命。 第二天在群眾大會上宣布執(zhí)行這一決定時，老農民卻跑上講臺，要求連長（于洋）和指導員不要執(zhí)行。因為老農民經過一夜的思考后，他從自己的親身經歷里對照了他過去所受的反動派的壓迫和現(xiàn)在解放后的幸福生活，深深感到解放軍就是自己的軍隊，要是沒有解放軍，就沒有自己的翻身；而且小鬼也是窮苦人家的孩子，是自已階級的子女，他的爸爸也是給反動派殺害的。老農民說：“不要槍斃小鬼，讓他去打蔣介石反動派吧！”老農民的話感動了所有到會的群眾，他們一致要求把小鬼留下。部隊組織同意了群眾的意見。老農民并把小鬼認作自己的義子。后來小鬼在戰(zhàn)斗中立了功，受傷住在醫(yī)院里。影片是以老農民去醫(yī)院探望受傷的小鬼作為開頭，用倒敘的方法來展開故事的。

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暫無簡介.

簡介：Popstar Oliver Sim is the main guest of a talk-show that soon slides into a surreal journey of love, shame and blood. A three-part musical short.

簡介：孫厚成（吳興國 飾）是一名老兵，1949年內戰(zhàn)爆發(fā)，孫厚成不得不離開了母親（王維維 飾）和妻子祖寧（趙仕瑾 飾），跟隨著軍隊來到臺灣，本以為等時局穩(wěn)定一些之后就能重返大陸，卻想不到這一別就是幾十年。在這漫長的歲月中，孫厚成重組了家庭定居臺灣，但他的心中，一刻也沒有放下過自己遠在海峽那一邊的親人們?！　〗K于，孫厚成帶著女兒踏上了祖國的故土，才發(fā)現(xiàn)一切早已經物是人非。祖寧去世了，素未謀面的兒子家望（耿樂 飾）長大成人。然而，父子之間的隔閡已經是如此之深，孫厚成只能在悲傷和遺憾之中回到臺灣。一晃眼又是十年過去，孫厚成中風命不久矣，家望帶著孩子趕到了父親身邊見他最后一面，一家人終于在淚水中團聚了。

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Steiger 是一位精神病偽裝大師，在這場懸疑的貓捉老鼠游戲中跟蹤并殺死了各種女性。西格爾作為負責此案的偵探，發(fā)現(xiàn)了線索，墜入愛河，并發(fā)現(xiàn)他的新女孩可能是兇手的下一個受害者。

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退休殺手杰克·李告別了暴力的過去，將亡兄的女兒杰米撫養(yǎng)成人。當犯罪頭目班杜奇為了報復綁架杰米時，杰克重拾他天賦異稟的滅絕技能，舊金山街頭變成了一人殺人機器與冷酷無情、團結一致的黑幫頭目的戰(zhàn)場。

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一名大學輔導員正在調查一名雄心勃勃的大學生的失蹤案，該學生因難以支付學費而停止上課。

簡介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

簡介：　　性感美麗的女明星袁晶（唐一菲 飾）的生活正陷入混亂之中，她與一名當紅小生發(fā)生不倫之戀，背負著“小三”的惡名；另一方面，她的日常生活仿佛被人偷窺了一般，經常有人打來莫名其妙的電話恐嚇，這令她精神幾近崩潰。為此，袁晶請來自信滿滿的私家偵探喬涼（林申 飾）調查騷擾者，而這一切似乎比預想的難得多。
　　正是這般難熬的時刻，著名導演崔東明邀請袁晶加盟自己的最新恐怖片《紅花淚》。為了躲避種種煩擾，袁晶同意接拍此戲，帶著喬涼連同攝制組趕赴安徽涇縣某個古老的小村拍攝。在這一過程中，袁晶不僅承受巨大的拍攝壓力，而且恐怖如影隨形，不曾退去……

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一群轉基因超級僵尸的冒險經歷。