棕熊布哥是個幸運兒，他被收養(yǎng)者寵得一塌糊涂，生活安逸舒適。然而現(xiàn)在他卻被放歸森林，對大自然的艱苦極不習(xí)慣的布哥一心想回城，黑尾鹿艾略特的出現(xiàn)卻改變了他的計劃。艾略特被獵人撞斷了一只角，綁在車中運往鎮(zhèn)里。布哥猶豫再三，終于救走了艾略特。這個決定讓布哥再不能順利的回到以前的生活。 艾略特拜恩人布哥為兄弟，跟著布哥一起前行，并且引誘他來到野叢林好好“享受”。布哥來到叢林，才發(fā)現(xiàn)這里的條件太惡劣了，根本不像城里舒服。而且，他們還犯了一個錯誤，讓動物們陷入狩獵區(qū)當(dāng)中，重重危險面前，布哥的野性被逐漸喚醒，他和動物們組成兵團抗擊敵人，上演一場轟烈的家園保衛(wèi)戰(zhàn)。

　　“For two years starting in 2020, this work has been forming along the edges of disquiet and premonition, in fragments and intensities, through wandering and not-staying. It has tried to find language for and ways across the bizarre upheavals of social and political values with the rise of fascism in India and a global pandemic. It has insisted on being amongst the things that keep from falling apart. Filmed in Delhi, these incomplete fictions are of the people, places, and protests that keep the language of hatred at bay and absorb the city’s grief and euphoria. In them are the continuous echoes of a violent and tenuous present.
　　The false closures and tenuous associations in this video/essay compose a timeline of the city at an angle through the time of this work. There is a shadowy sense of a protagonist who un-dreams it all; a stranger, who it turns out, is no stranger at all.” Priya Sen

清晨的公園里，老人格里慢慢的鋪開棋盤，把棋子一個一個的放上去，“對弈”就這樣開始了。

一群性格尖酸的小鳥集聚在電線上，唧唧喳喳吵個不停。

小杰克是誰呢？是超人的兒子，而他的保姆凱莉可不知道。