簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：麗茲（索拉·伯奇 Thora Birch飾）出生在美國的貧民窟里，從小就開始承受著家庭的千瘡百孔，父母酗酒吸毒，母親患上了精神分裂癥。貧窮的麗茲需要出去乞討，流浪在城市的角落，生活的苦難似乎無窮無盡。　　隨著慢慢成長，麗茲知道，只有讀書成才方能改變自身命運，走出泥潭般的現(xiàn)況。她從老師那里爭取到一張試卷，漂亮的完成答卷，爭取到了讀書的機會。從現(xiàn)在起，麗茲在漫漫的求學路上開始了征程。她千方百計申請哈佛的全額獎學金，面試時候連一件像樣的衣服也沒有。然而，貧困并沒有止住麗茲前進的決心，在她的人生里面，從不退縮的奮斗是永恒主題。

簡介：

　　「商場得意，情場失意?！褂眠@句話形容商人伊博和愛德華，尚嫌太客氣。兩人一個胖、一個魯，成天插科打諢，滿腦子性愛。偏偏老婆不領情，夜里不給碰就算了，平時還酸言酸語刺激魯蛇纖細的腦神經(jīng)，不但贊不絕口舞蹈教練的性感魅力，還大肆嘲弄老公薄弱的性能力，激得兩人火冒三丈，一不做二不休，上網(wǎng)找?guī)褪?，大老遠請來俄羅斯殺手干掉枕邊人！
　　殺手伏特加當水喝，殺人當日常，醉起來像瘋狗；兩人正懊悔想趕他走，殺人計劃卻已失控出手。但千萬別小看老婆的智商，她們也不甘示弱，要以其夫之道還治其夫之身。本該由愛生性的婚姻，卻因性生活不順而跑出恨與殺機，冷血殺手起手無回，枕邊人的性命保還是不保？
　　布魯塞爾奇幻影展最佳歐洲電影，各式殺人技法神展開，保證令你笑開懷。

簡介：影片的故事背景設定在蟲獸與人類20年持久戰(zhàn)之后的一次偷襲。面對這一前所未有的災難，人類戰(zhàn)警挺身而出，與異形蟲獸展開了一場生死搏斗，誓死守護人類家園。

簡介：五代十國是一個神秘、紛爭、奇人奇事不斷的年代。瘋狂的周世宗自以為天下第一，但是病總是不能根治?；屎?、宰相和其他臣子尋訪天下第一名醫(yī)張伯謹，其人醫(yī)病不按牌理出牌，他要求天下第一名畫的華陀再世圖為酬，結果天下第一畫卻想尋得天下第一美女以摹擬其相貌完成壁畫。第一美女卻要天下第一美玉....

簡介：生活一塌涂地的機車黑手魁手（庹宗華 飾）帶著女兒小玲（庹詠綺 飾）搬到租金便宜的頂樓加蓋，打算重新生活；沒想到隔壁竟暗藏了一間由按摩小姐雙雙（謝盈萱 飾）與夢夢（潘之敏 飾）開設的色情按摩工作室?？謸那啻浩诘男×釙r值偏差，便伙同機車行學徒喇叭（詹懷云 飾）想盡辦法趕走雙雙與夢夢，但沒想到生命真正的痛處卻是社會的殘酷與現(xiàn)實。

簡介：有一個古老的儀式已經(jīng)為人所知超過一百年了。傳說，人們對著鏡子說三遍黑桃皇后的名字，她就可以通過畫在鏡子上的門和樓梯被召喚出來。黑桃皇后從照鏡子的人中獲得能量，她會剪睡夢中的人的頭發(fā)，那些看到她的人不是瘋了就是死了。四個年輕人開玩笑決定要召喚她，但是當其中一個人死于突發(fā)性心臟病，剩下的幾個人意識到他們要面對的是匪夷所思的事件和死亡的危險。

簡介：Harry Palmer已經(jīng)離開了英國情報服務部門并成為一個私家偵探。他接到的第一個業(yè)務就是帶一樣東西去赫爾辛基，可是他帶在身上的東西可沒那么簡單，他開始懷疑他這個億萬富翁到底給了他什么……

簡介：本片改編自花澤健吾的同名漫畫，講述了曾經(jīng)輝煌一時的日本忍者，在戰(zhàn)后被GHQ解散組織而消失，不過，他們潛伏在世界的所有機關，現(xiàn)代也暗中活動著，據(jù)說人數(shù)約為20萬人。但基層忍者經(jīng)常找不到工作，其中之一的云隱九郎（山崎賢人 飾）隸屬忍者組織“NIN”的末端忍者（下忍），過著與啃老族無異的生活。一天，閑得發(fā)慌的他被判了一項重大的“忍務”，那就是調查戰(zhàn)后70多年來一直潛入地下的某個組織的動向，其名為——“地下忍者”。忍術、智謀、最新科技等驅使了一切，從未有過的戰(zhàn)斗現(xiàn)在開始。

簡介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

簡介：該片是繼《僵尸歸來之尸鬼虐戀》，《僵尸歸來2消失的御林軍》后，《僵尸歸來》系列劇第三部?！　∮捌v述自從冬生得到紫流霜項鏈之后，每日都夢見女鬼索命。在玉兒的新書簽售會上，冬生接到關于紫流霜項鏈神秘電話。冬生和玉兒與神秘電話者見面，神秘電話者名叫四象，乃是茅山道兩儀派的傳人。兩儀派是供職于陰曹地府，負責陽間索命地府接引等工作的教派......

簡介：飛刀鏢局局主李元霸二十歲手創(chuàng)飛刀鏢局，歷四十年而從未失過一鏢，在武林中聲名赫赫，但他為人脾氣爆躁，即使對親生兒子李尋歡（王杰 飾）也疾言厲色，李尋歡只有終日借酒澆仇，混跡于風月場所，酒后與雪兒（黎姿 飾）發(fā)生關系，結果雪兒懷孕，李尋歡遂迎娶雪兒為妻?；楹蟮睦顚g仍然整天酗酒，把雪兒冷落在家里，甚至雪兒生產那天也不在家中，雪兒寂寞難耐，在一次外出時偶遇住在附近的朝鮮富商金霧寒，雪兒內心深處愛上了這個朝鮮人。