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所羅門王的寶藏
6.1 |2025年09月06日 |已完結(jié) |共1集
簡介:
本片改編自賴德-哈格特的經(jīng)典文學(xué)名著。曾經(jīng)追尋所羅門王寶藏的冒險者們都一去不回。沒人解開這個迷題?,F(xiàn)在,勇敢的艾倫-郭德曼受雇去尋找埋葬在黑暗地底的所羅門王寶藏的真相……
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主演:拉麗莎·奧蕾尼克,朱麗婭·斯蒂爾斯,希斯·萊杰,約瑟夫·高登-萊維特,大衛(wèi)·克魯霍爾特茲
簡介:盡管此片的女主角是朱麗婭·斯蒂爾斯扮演的傲嬌女,但對影迷來說,它卻永遠保留了一個奇跡:已故著名影星希斯·萊杰,和與之“撞臉”的當(dāng)紅男星約瑟夫·高登·萊維特,同時出現(xiàn)在了這部電影中,究竟誰更帥一點呢?  比安卡(Larisa Oleynik飾)是全校公認的甜心寶貝,可事實上,她甚至未有過一次約會——比安卡的老爸對女兒的管教極盡苛刻,男生們只能對她望而卻步。   在女兒的不斷抗議下,老爸終于做了“讓步”,他聲明,比安卡可以約會,只要她的姐姐凱特(Julia Stiles飾)也去。聽到這個消息,暗戀比安卡的喀麥?。↗oseph Gordon-Levitt飾)決心無論如何都要找到能和凱特約會的人。千挑萬選之下,他找到派特里克(Heath Ledger飾)幫忙。   凱特可是人人眼中的怪物啊,仿佛憤世嫉俗般,對任何人和事都有一股不滿的情緒。要讓約會順利進行,這是前所未有的挑戰(zhàn),還是一個不可能的任務(wù)?
78
1999
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主演:拉麗莎·奧蕾尼克,朱麗婭·斯蒂爾斯,希斯·萊杰,約瑟夫·高登-萊維特,大衛(wèi)·克魯霍爾特茲
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足球小將改變頹廢父親
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6.5
更新時間:2025年09月02日
主演:弗朗索瓦·達密安,瑪勒姆·帕坎,安德烈·杜索里埃,露德溫·塞尼耶,利蒂希亞·多施
簡介:特奧在少年足球隊踢前鋒,被作為俱樂部重點培養(yǎng)的種子。父母離婚后,跟著母親和其男朋友一起生活。雖然父親勞倫脾氣暴躁、酗酒,有時也會令特奧當(dāng)眾出丑,但特奧堅信父親本性不是這樣的。特奧的教練得知英國職業(yè)足球俱樂部“阿森納”會暗中招募有天分的孩子進俱樂部,不小心說漏嘴讓勞倫知道,勞倫對此事表現(xiàn)得十分興奮。特奧想借此事改變父親,幫助父親找回曾經(jīng)的自己。然而阿森納俱樂部的人并沒有選中特奧。為了不讓父親失望,特奧告知父親及教練自己被選中了。勞倫在酒吧為特奧舉辦了慶祝會。為了圓謊,特奧只好請擅長計算機技術(shù)的朋友馬克斯幫忙,給教練發(fā)了一封偽造的英文邀請函。謊言的雪球越滾越大,漸漸周圍熟識的人都知道特奧被阿森納選中的事,特奧騎虎難下。一次偶然的機會,勞倫認識了阿森納負責(zé)選人的員工并得知特奧并未入選。勞倫深受打擊,酗酒后與人打架進入醫(yī)院。勞倫并沒有責(zé)怪特奧。馬克斯給阿森納的人寫信懇請他們重新衡量對特奧的考核,加上在比賽中表現(xiàn)出色,阿森特決定讓特奧入選。最終特奧不僅幫助父親找回了曾經(jīng)的自己,同時實現(xiàn)了自己的夢想。
65
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盲目的丈夫們
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8.0
已完結(jié)
盲目的丈夫們
8.0
更新時間:2025年09月06日
主演:薩姆·德·格拉斯,Francelia Billington,埃里克·馮·施特羅海姆,Fay Holderness,Richard Cumming
簡介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
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1919
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主演:薩姆·德·格拉斯,Francelia Billington,埃里克·馮·施特羅海姆,Fay Holderness,Richard Cumming
賣藝春秋
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0.0
正片
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0.0
更新時間:2025年10月09日
主演:佩皮諾·德·菲利波,卡拉·德爾波嬌,朱麗葉塔·馬西納,約翰·奇茲米勒,Dante Maggio,Checco Durante,Gina Mascetti,朱利奧·卡利,Silvio Bagolini,賈科莫·富里亞,Mario De Angelis,Vanja Orico,Enrico Piergentili,雷納托·馬拉瓦熱,Joseph Falletta,福爾科·盧利,Carlo Romano,Fanny Marchiò,弗蘭卡·瓦萊里,阿爾貝托·博努奇,維托里奧·卡布里奧利,阿爾貝托·拉圖瓦達,Mi
簡介:

  這部電影帶有濃厚的新現(xiàn)實主義風(fēng)格,基本上與費里尼中后期的神采飛揚不一樣,采用了紀實手法來講述一個愛情故事,結(jié)構(gòu)簡單,多用長鏡頭。片中的內(nèi)容與戰(zhàn)后意大利貧瘠的社會現(xiàn)實相吻合。本片也是費里尼首次與自己的妻子瑪西娜合作。鄉(xiāng)下姑娘莉莉加入一家劇團,她的表演相當(dāng)成功,不但在觀眾中大受歡迎,劇團團長契克也暗中愛上了她。由于契克常常醋意大發(fā),劇團惹上了許多麻煩,最終不得不解散收場……

0
1950
賣藝春秋
主演:佩皮諾·德·菲利波,卡拉·德爾波嬌,朱麗葉塔·馬西納,約翰·奇茲米勒,Dante Maggio,Checco Durante,Gina Mascetti,朱利奧·卡利,Silvio Bagolini,賈科莫·富里亞,Mario De Angelis,Vanja Orico,Enrico Piergentili,雷納托·馬拉瓦熱,Joseph Falletta,福爾科·盧利,Carlo Romano,Fanny Marchiò,弗蘭卡·瓦萊里,阿爾貝托·博努奇,維托里奧·卡布里奧利,阿爾貝托·拉圖瓦達,Mi
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