簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：　　Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade.
　　Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)

簡(jiǎn)介：各位ARMY，請(qǐng)扣好安全帶，準(zhǔn)備同SUGA 一齊出發(fā)，游歷各個(gè)城市，尋找音樂(lè)靈感的來(lái)源。

簡(jiǎn)介：　　It was the world's last Islamic empire - a super-power of a million square miles. From its capital in Istanbul it matched the glories of Ancient Rome. And after six centuries in power it collapsed less than a hundred years ago. Rageh Omaar sets out to discover why the Ottomans have vanished from our understanding of the history of Europe. Why so few realise the importance of Ottoman history in today's Middle East. And why you have to know the Ottoman story to understand the roots of many of today's trouble spots from Palestine, Iraq and Israel to Libya, Syria, Egypt, Bosnia and Kosovo.

簡(jiǎn)介：在保護(hù)孩子們免受虐待的同時(shí),比奇·羅林斯從一個(gè)艱難的成長(zhǎng)過(guò)程中成長(zhǎng)為一個(gè)UFC戰(zhàn)士和光拳拳王。

簡(jiǎn)介：　　主人公是一位92歲的老人。戰(zhàn)爭(zhēng)與和平、共產(chǎn)主義和革命后的時(shí)代都曾在他身上留下印記，他笑過(guò)、哭過(guò)、愛(ài)過(guò)，飽經(jīng)世事滄桑，終成歷史的見(jiàn)證者。
　　雖是一部專(zhuān)題紀(jì)錄片，但卻講述了過(guò)去的故事與人在遲暮之年的境遇，引發(fā)了人們對(duì)于自身，對(duì)于時(shí)光易逝、人生苦短的思考。

簡(jiǎn)介：

伊恩·希斯洛普 (Ian Hislop) 對(duì) 200 年來(lái)的假新聞及其后果進(jìn)行了尖銳而富有挑釁性的解讀——從維多利亞時(shí)代的登月到 21 世紀(jì)的深度偽造，以及前所未見(jiàn)的希斯洛普。

簡(jiǎn)介：

「新寶島曼波」拍攝以抒情詩(shī)人著稱(chēng)的楊澤，邀請(qǐng)小說(shuō)家駱以軍、楊隸亞、黃崇凱共同參與編劇，表現(xiàn)詩(shī)人致力探索的70年代迄今的臺(tái)灣文化論述。全片嘗試創(chuàng)造紀(jì)錄片全新的敘事方法，聚焦楊澤的百年情懷與文化史觀(guān)，并企圖讓電影開(kāi)展「南部是歌，北部是詩(shī)」的詩(shī)意視野。

簡(jiǎn)介：

格溫·范德帕斯回到家鄉(xiāng)，尋找有關(guān)在她小時(shí)候?qū)λM(jìn)行性虐待的那個(gè)男人的答案。

簡(jiǎn)介：電影制片人利用新技術(shù)，展示了著名的扎普魯?shù)码娪爸忻绹?guó)第 35 任總統(tǒng)約翰·肯尼迪 (JFK) 遇刺事件的真實(shí)情況。

簡(jiǎn)介：

1998年12月至1999年4月，年過(guò)七旬的阿涅斯·瓦爾達(dá)帶著數(shù)碼攝像機(jī)在法國(guó)的城市和鄉(xiāng)村“閑逛”的過(guò)程中，拍攝了一些關(guān)于當(dāng)今時(shí)代法國(guó)拾荒者們的影像：流浪漢和生活貧困的人為維持生計(jì)揀拾各種生活必需品，藝術(shù)家們從廢銅爛鐵堆里尋找創(chuàng)造藝術(shù)作品的原料，喜歡拾荒的人的動(dòng)機(jī)是出于反對(duì)浪費(fèi)的品德。除了拾荒，影片還有一條游離于主線(xiàn)之外的副線(xiàn)，表現(xiàn)了一些表面看來(lái)與拾荒毫不相干、其實(shí)關(guān)系密切的人和事，比如采訪(fǎng)一位兼做心理醫(yī)生的葡萄園主，與發(fā)明電影的先驅(qū)者之一馬萊的后代談?wù)撾娪皢?wèn)題。此外，本片還是一幅影片作者的自畫(huà)像，瓦爾達(dá)不時(shí)從鏡頭后面走到鏡頭前面，即使當(dāng)她在鏡頭后面時(shí)也有意地適度表現(xiàn)自己，而且有些鏡頭是她親自拍攝的。這部受19世紀(jì)法國(guó)畫(huà)家米勒的名畫(huà)《拾穗者》啟發(fā)而拍攝的紀(jì)錄片，描繪了法國(guó)當(dāng)今時(shí)代的拾荒者形象。在瓦爾達(dá)看來(lái)，形形色色的拾荒者大致分為三類(lèi)：“有些人拾荒是因?yàn)樗麄儽簧钏龋行┤耸盎氖且驗(yàn)樗麄兪撬囆g(shù)家，有些人拾荒是因?yàn)樗麄兿矚g拾荒?！北酒耐暾恰笆盎恼邆兒团盎恼摺保渲小芭盎恼摺笔侵竿郀栠_(dá)本人。影片中的所有人都在拾荒，瓦爾達(dá)本人也是拾荒，她在揀拾被人遺忘的記憶。本片的藝術(shù)成就不僅表現(xiàn)在瓦爾達(dá)創(chuàng)作了一部以第一人稱(chēng)敘事的實(shí)驗(yàn)性數(shù)碼紀(jì)錄片，而且表現(xiàn)在影片作者巧妙地把握了“唯我”與“主觀(guān)”以及電影作者的“自我”與被拍攝的社會(huì)現(xiàn)實(shí)中的“別人”之間的細(xì)微界限。這部影片是用DV拍攝的，然后擴(kuò)轉(zhuǎn)成35毫米電影膠片發(fā)行，曾經(jīng)在30個(gè)月的時(shí)間里獲得過(guò)30個(gè)獎(jiǎng)。

簡(jiǎn)介：　　Jumpers for Goalposts: Live at Wembley Stadium is a home video by English singer-songwriter Ed Sheeran, released on Blu-ray on 13 November 2015. It features the footage taken from Sheeran's x Tour, when he became the first solo artist to take the stage at Wembley Stadium in London and played across three sold out nights to a crowd of 240,000 people. Jumpers for Goalposts: Live at Wembley Stadium features performances of hits like "The A Team", "Sing" or "Thinking Out Loud". Sir Elton John duets with Sheeran on two songs.
　　The title “Jumpers for Goalposts” alludes to street/park football in the UK, a practice where jumpers would be placed on the ground and used as goalposts, a nod from Sheeran playing the concerts at Wembley Stadium, the home of English football. Aside from the live performances, Jumpers for Goalposts: Live at Wembley Stadium gives viewers an insight into life backstage on the road with Sheeran. Simultaneously, Jumpers for Goalposts: Live at Wembley Stadium was released on DVD as part of the re-release of Sheeran's 2014 x album. This CD/DVD combo titled x (Wembley Edition) also includes five new tracks on the CD portion.