超低溫下で重力がなくなる“冷卻線“を使って、宇宙人?ナタールが地球侵略を開(kāi)始した。地球の各地では、鉄橋が光りながら空中へ浮き上がったり、汽船が山に激突したり、海が凍って空に逆流したりと奇怪な事件が次々に起こる。科學(xué)者たちのグループは冷卻線の攻撃に対抗すべく、熱線砲を開(kāi)発、彼らの基地があると思われる月へと向かうが……。熱線砲を抱えて月へ出発するスピップ號(hào)、途中出くわす宇宙ステーション、そしてナタールの円盤(pán)群など、宇宙空間を舞臺(tái)に特技監(jiān)督?円谷英二の腕が全編に冴えわたったSF映畫(huà)。1959年の製作とは思えない凝ったディテールと凄まじいアクションが魅力。

　　This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.