簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)?。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by Franti?ek Vláil, based on a novel by Alfréd Technik, adapted by Franti?ek A. Dvorák and Milo? Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Li?ka (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

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博物館門衛(wèi)幫助了神秘的訪客，巨大的維也納藝術(shù)史藝術(shù)博物館成為一個神秘的十字路口，閃爍著探索的火花，關(guān)于他們的生命的、城市，以及反映和塑造世界的方式。

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1961年，我國國民經(jīng)濟正處于嚴(yán)重困難時期，中共中央起草了《人民公社工作條例（草案）》（簡稱《60條》）。4月1日，國家主席劉少奇回故鄉(xiāng)湖南，考察農(nóng)村工作。當(dāng)他看見一雙雙饑餓的眼睛和一張張狼吞虎咽的嘴時，對《60條》是否符合農(nóng)村實情產(chǎn)生了疑問。他召開干部座談會聽取意見，與會者卻閃爍其辭。劉少奇于是到群眾中去，與老百姓直接交流，了解到了人們對公共食堂的反感。他把得到的情況寫信向毛主席匯報。

簡介：現(xiàn)年25歲的厚生勞動省官員鷹野工作繁忙，掙扎于理想與現(xiàn)實之間。他看到一份“因非正規(guī)就業(yè)而自殺者”名單上有位與自己同齡的年輕人，便開始調(diào)查其死亡原因。翠是一位三十多歲的剪紙藝術(shù)家，盡管也想生孩子，但與丈夫的關(guān)系讓她感到不自在。中學(xué)二年級的一名班長在幫助朋友后遭到欺凌，為了不讓單親母親擔(dān)心，他獨自保守著秘密。三人的生命交錯在一起時，語言的力量超越了時間，烏云密布的天空閃現(xiàn)出一絲希望。本片改編自英年早逝的和歌詩人萩原慎一郎所著的同名短歌集。

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當(dāng)朝棋高手范西屏（程皓楓 飾）雖棋藝高超，卻不懂自身經(jīng)營。這天，他應(yīng)好友袁枚（盧勇 飾）之邀參加其舉行的游園會，算是大開了眼界，袁枚利用其智慧，輕而易舉地賺到大把銀子。袁開導(dǎo)他做人不能太死性，要把才藝變成財富才能體現(xiàn)人生最大價值。袁派女弟子席佩蘭（孟霞 飾）培訓(xùn)范西屏，而范也頭頂棋圣的光環(huán)與各路高手對弈，財富滾滾而來，但他不為所動，偏偏看中了他的心靈調(diào)教師席佩蘭。然而天不遂人愿，席佩蘭嫁了他人，犯了花癡的范西屏大病一場，他開始厭惡這種拿人格和棋藝換錢財?shù)男袕健；貧w本真的范西屏開始追求敢愛敢恨的阿嬌（劉凱菲 飾），忌料佳人已名花有主…

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博士魏國（許燁 飾）近來喜事連連，洋妻愛瑪（瑪利婭 飾）出資成立科貿(mào)公司，而董事長就是夫君魏國，且愛瑪既將臨產(chǎn)，他馬上榮升父親，可謂雙喜臨門。問題是即將來伺候月子的是東北農(nóng)村的老媽（李靜 飾），觀念天差地別的婆媳從此生活在了一起。家中添丁喜壞了婆婆，可兒媳對她飩的豬蹄湯和鯽魚湯并不感冒，除了可樂她及乎不喝別的東西，婆婆熬制的任何東西兒媳都會倒掉。城門失火，殃及池魚，雇來的保姆蘭蘭被炒掉了，究其原因是婆婆舍不得每月1000元的保姆費。蘭蘭走了，新的問題接踵而至，愛瑪要嬰兒用尿不濕，而婆婆則堅持用自已做的傳統(tǒng)尿布，面對婆媳爭端，魏國只好站出來了......

簡介：A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself “already dead.”

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　　Ana is a girl from Seville, who's sick of her family and the problematic neighborhood they live in. But things are about to get even worse when her mother, in a desperate attempt not to get evicted, comes up with a cunning plan...

簡介：榮獲了諸多榮譽和獎?wù)碌谋尽ゑR高（丹澤爾·華盛頓 Denzel Washington 飾）當(dāng)年曾是一名海軍陸戰(zhàn)隊上尉，第一次海灣戰(zhàn)爭期間，他所在的小分隊夜晚執(zhí)行搜查任務(wù)時遭到伏擊，憑借戰(zhàn)友雷蒙德·蕭中士（利夫·史列巴 Liev Schreiber 飾）的機智與果敢，整個小 隊最終化 險為夷，失去知覺的本也多虧雷蒙德才死里逃生。十年后，本在無數(shù)個場合講過這段過去，并大力盛贊雷蒙德的果敢。由于戰(zhàn)爭期間的出色表現(xiàn)，雷蒙德的仕途一片光明，在參議院的母親伊麗娜（梅麗爾·斯特里普 Meryl Streep 飾）的協(xié)助下，他如今已然成為副總統(tǒng)的候選人。然而就在此時，本卻倍感焦慮，在他的心中不斷質(zhì)疑著當(dāng)年發(fā)生的一切，似乎那晚的襲擊事件有著另一個不為人知的版本……　　本片根據(jù)1962年約翰·弗蘭克海默的同名經(jīng)典影片改編。

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政府研發(fā)了一項秘密武器——拳神手套，它能夠激活人類大腦中那未被使用的百分之九十部分，從而使使用者爆發(fā)超人的能量，十分危險，警察戰(zhàn)廿一（張耀揚 飾）成為了手套的首批試用者中的一份子，然而，他的內(nèi)心不滿自己淪為政府操縱的木偶，于是偷走了手套，并且銷毀了和手套相關(guān)的一切資料。 　　阿風(fēng)（元彪 飾）和Dark（鄭伊健 飾）企圖阻止戰(zhàn)廿一的陰謀，最終，阿風(fēng)和戰(zhàn)廿一以及拳神手套均失去了蹤跡。一晃眼數(shù)年過去，戰(zhàn)廿一重出江湖，被洗腦的阿風(fēng)則成為了他的幫手助紂為虐，戰(zhàn)廿一企圖利用拳神手套的威力統(tǒng)治世界，卻遭到了阿虎（王力宏 飾）和鐵男（馮德倫 飾）等人的阻撓，兩幫人就此結(jié)下梁子。

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龍老爺病逝，元長子國樹與二子國欣為爭奪家產(chǎn)鬧得家無寧日。三子國昌無意爭產(chǎn)，只好醉心音樂，偶然結(jié)識琴行職員莊綺青，經(jīng)好友周志達撮合，結(jié)為夫婦。婚后，昌獲邀加入樂團，卻發(fā)現(xiàn)身患絕癥，遂瞞著家人以深造為名赴意大利求醫(yī)，行前托達若他不幸身故，便把遺書交給青。達在預(yù)定日期仍無昌音信，無奈交出遺書，龍母得悉愛子死訊，刺激過度離世。樹、欣乘機賣掉大屋，瓜分財產(chǎn)，并逐青離家。青在萬念俱灰之際，幸重遇病愈歸來的昌，喜出望外。